I've always thought that it had an air of indulgence hovering above its visually-stunning artifice-essentially a two-hour-plus exercise in style over substance (not that there's anything totally wrong with that).īut, of course, I'm likely in the minority with this opinion. Although, admittedly, I am not the biggest fan of THE PHANTOM OF THE OPERA-Andrew Lloyd Webber's Olivier and Tony Award-winning, globally-adored stage musical spectacular based on the French novel by Gaston Leroux-on the many occasions that I have experienced the show live, I have nonetheless come to still appreciate its unabashed grandeur and its eye-popping theatricality, despite my slight aversion to the show's treacly, often overly-stylized mannerisms.
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